Tri-Culturalism in New Mexico New Deal Art

Defining and Questioning Tri-Culturalism

Tri-culturalism refers to the idea that New Mexico is composed of three distinct ethnic and cultural groups: Native Americans, those of Spanish and/or Mexican descent (generally termed “Hispanos”), and non-Hispanic European-Americans (often colloquially referred to as “Anglos”). 

Popularized in the early 20th century, tri-culturalism has long been a story that New Mexico has told itself and has organized its history and identity around. It has been deeply intertwined with artistic and cultural production for well over a century.

What is Tri-culturalism in New Mexico?

Tri-culturalism refers to the idea that New Mexico is composed of three distinct ethnic and cultural groups: Native Americans, those of Spanish and/or Mexican descent (generally termed “Hispanos”), and non-Hispanic European-Americans (often colloquially referred to as “Anglos”). 

Popularized in the early 20th century, tri-culturalism has long been a story that New Mexico has told itself and has organized its history and identity around. It has been deeply intertwined with artistic and cultural production for well over a century.

Do you see the concept of tri-culturalism at play in this set of New Deal paintings? How so? 

Click on each to investigate further

The Trouble with Tri-culturalism ​

Although the concept of tri-culturalism has a long history and often “feels” true, this approach to interpreting the culture of New Mexico is, which increasing frequency, being understood as a myth. Categorizing tri-culturalism as a myth is an important intervention, illuminating the realities that tri-culturalism obscures or ignores. 

Some examples of contemporary critiques of the tri-culturalism ideology include:

  • The concept is overly simplistic. It portrays all three groups as co-existing peacefully when the reality is more complex. On the one hand, the history of New Mexico includes colonization, violence, and resource theft.(1) On the other, there are also instances of collaboration, intermarriage, and cultural exchange that characterize  a great deal of New Mexican culture today.
  • The myth is also overly simplistic in its portrayal of Indigeneity, collapsing distinct tribal identities into one monolithic entity. It also conflates Spanish and Mexican heritage. 
  • The myth is exclusionary. It portrays New Mexico as home to only three cultures and ignores longstanding and important histories of other cultural groups who established communities in the state.(2) It also leaves little room to acknowledge the contributions of newer community members who have moved to New Mexico either by choice or forced migration.
  • Additionally, the ideology has historically presented the three identified cultures as a hierarchy, with Anglo-Americans depicted as the leaders of progress, industry, and society at large. Contrastingly, Indigenous peoples and Hispanos are often represented in subservient roles.

Do you see the concept of tri-culturalism at play in this set of New Deal paintings? How so?

Click on each to investigate further

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Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.

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