Home » Special Exhibits » Tri-Culturalism in New Mexico New Deal Art » Defining and Questioning Tri-Culturalism
Tri-culturalism refers to the idea that New Mexico is composed of three distinct ethnic and cultural groups: Native Americans, those of Spanish and/or Mexican descent (generally termed “Hispanos”), and non-Hispanic European-Americans (often colloquially referred to as “Anglos”).
Popularized in the early 20th century, tri-culturalism has long been a story that New Mexico has told itself and has organized its history and identity around. It has been deeply intertwined with artistic and cultural production for well over a century.
Tri-culturalism refers to the idea that New Mexico is composed of three distinct ethnic and cultural groups: Native Americans, those of Spanish and/or Mexican descent (generally termed “Hispanos”), and non-Hispanic European-Americans (often colloquially referred to as “Anglos”).
Popularized in the early 20th century, tri-culturalism has long been a story that New Mexico has told itself and has organized its history and identity around. It has been deeply intertwined with artistic and cultural production for well over a century.



Joseph Roy (J. R.) Willis
Untitled (The Coming of the Americans)
1935–1936
Oil on panel
72” W x 36” H



Lloyd Moylan
Slim Woman and Chewing Tobacco Begay
1940
Oil on masonite
24” W x 22” H



Lloyd Moylan
The Rio Grande Country
About 1939–1943
Watercolor and pencil on paper
24 ⅞” W x 18 ⅞” H
Do you see the concept of tri-culturalism at play in this set of New Deal paintings? How so?
Although the concept of tri-culturalism has a long history and often “feels” true, this approach to interpreting the culture of New Mexico is, which increasing frequency, being understood as a myth. Categorizing tri-culturalism as a myth is an important intervention, illuminating the realities that tri-culturalism obscures or ignores.
Some examples of contemporary critiques of the tri-culturalism ideology include:



Lloyd Moylan
Untitled (Pueblo Indians)
About late 1930s/early 1940s
Watercolor on paper
31” W x 22¾” H



Paul Lantz
Untitled (Church in the Rio Grande Valley)
About late 1930s
Oil on canvas
40” W x 26” H
Purchased by in 1939 by McKinley County for the Courthouse.



William Robinson Leigh
Horses and Whiskey Don’t Mix
About 1906-1941
Oil on canvas
22” W x 28¼” H
Donated by the artist to the Gallup Art Center.
Do you see the concept of tri-culturalism at play in this set of New Deal paintings? How so?
Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.
The Gallup New Deal Art Virtual Museum features three types of exhibits, combining traditional and non-traditional approaches to illuminate academic, creative, and individual understandings.
Gallup’s New Deal art collection includes works by a demographically, professionally, and stylistically diverse group of named and unnamed artists.
Image Use Notice: Images of Gallup’s New Deal artworks are available to be used for educational purposes only. Non-collection images are subject to specific restrictions and identified by a © icon. Hover over the icon for copyright info. Read more