A loosely painted picture of a multi-storied, terraced adobe building with a tall ladder leaning against it at an angle in the center of the image. The painting contains only a portion of the building, providing a close-up view of its cracked and splotchy walls. Small figures painted in a blob-like fashion in rust orange are stationed at the base of structure and on the second-floor terrace.

Elbridge Ayer (E. A.) Burbank

Hopi Indian House

About 1897–1942

Oil on canvas board

6” W x 4⅛” H

About this artwork

At the turn of the 20th century, Elbridge Ayer Burbank spent two decades traveling the western United States to document Native peoples and cultures for the Field Museum in Chicago. In an inscription on the back of this painting, the artist notes the location of the image as “Polacca, Arizona 80 miles from Holbrook, Arizona where the Santa Fe Railroad is.” The settlement of Polacca was established in the late 19th century with a day school and trading post to accommodate population growth, yet Burbank’s close-up architectural view presents it as a historic, timeless Hopi village.

Audio description for individuals with low vision. Audio descriptions produced by Art Beyond Sight.

Audio description

Hopi Indian House is a small oil painting on canvas board by Elbridge Ayer Burbank. It measures four and a half inches in height and six inches in width.

The location of this painting was noted by the artist as “Polacca, Arizona, 80 miles from Holbrook, Arizona, where the Santa Fe Railroad is.” Although the settlement of Polacca was established in the late 19th century with a day school and trading post to accommodate population growth, Elbridge Ayer Burbank’s close-up architectural view presents it as a historic, timeless Hopi village. For more about this painting style and the history of this painting, read the “About this Artwork” section above.

Burbank uses loose brushstrokes and dollops of paint in earth tone colors and yellows to convey the light, the architecture, and the people in his work. The painting depicts a multi-room, multi-level building structure, tall on the left and shorter on the right. The walls of the buildings are primarily adobe-colored, a light brown reflecting the desert earth used to cover them with mud plaster. They are dotted with scribbly and scraggly dark brown lines, along with patches and smudges of red, green, white, yellow, and orange. These may indicate cracks or blemishes in the walls, or perhaps decorations or attached fixtures. Yellow brushstrokes highlighting the edges of the buildings capture the effects of sunlight on the adobe.

The taller building on the left has a stepped outside wall leading to a second, slightly uneven level, with a dark grey outline of a doorway at the far left. The building on the right also has two levels, with one solid wall stacked slightly set back from the other. The area between the two levels forms a flat roof terrace, where two very small figures, made from minimal blue, orange, and brown dots of paint, appear to be standing.

Another figure, formed from larger orange and brown blobs, stands at the base of the structure, its dark blue shadow extending far in front of it as the sun shines from the upper left. The figure stands near a very large, long gray ladder, seemingly made from solid tree logs, leaning against the building and used to reach the roof terrace.

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